TOP Movies of 2026 (first up – IRON LUNG)

2026 has been a pretty good year for movies so far, if I do say so myself.

We started out the year SUPER strong with Markiplier’s self-produced/written/directed/acted/distributed/marketed box office hit Iron Lung and what a way to start the year!

Atmospheric, scary, spooky, immersive, thought-provoking, adrenaline-pumping, horror – I could not be more impressed with Mr. Markiplier. Not only did he have to do everything himself, he out-earned his budget by a mile and became the number one movie in America opening weekend. With a budget of under 5 million, the whopping 51 million worldwide meant that the film was definitely a success.

And, for those of you that don’t know – let me just break it down for you a little bit.

Markiplier is a YouTuber, most famous for his scary games let’s plays. Iron Lung is an indie game developed by David Szymanzki, that Markiplier played, loved, and acquired movie adaption rights for via DM (initially.) Mark then proceeded to write, film, fund, and edit the entire project, even going so far as to convert his own home bathroom into a render farm to get the job done, over the next couple of years.

Once filming and a majority of the editing had been completed, he began the official process of shopping the finished product around to companies for an official theatrical release – a process that fell on deaf ears. After nearly a year (could’ve been slightly more or less) of no success, he decided to just go directly to the movie theaters himself for the release.

Initially it was only supposed to release in a handful of theaters for one weekend. But Markiplier urged his fanbase that if they wanted the movie to come to a theater near them, to then reach out to their local movie theaters and request the film.

The response was massive and immediate.

By the time release day rolled around the film had gone from a handful theaters to over 4,161. And not just in local indie theaters , but in the massive chains ones such as AMC, Regal, and Cinemark. And not just for one weekend but for almost 4 weeks.

Markiplier proved something huge. Fans want to go to the movies. And they want to see real art by real artists. The movie theaters aren’t dying out – the fans just aren’t interested in boring budget bloated remakes. Give them something new, something interesting, something with heart and soul, something made by humans who actually care about what they’re doing – and fans will be there.

Overall, I give Iron Lung a 10 out of 10! I genuinely can’t think of what he could’ve done better that he didn’t do. All I can say is that I hope that he continues to make movies and I am so excited and can’t wait for them when he does. He’s working on the DVD’s for Iron Lung right now, and I can’t wait!

And, Iron Lung wasn’t the only good movie this year!

Stick around and I’ll share my other 2026 favorites so far in more posts.

Ciao!

Disney & the Shakespearean Formula

If I were to say that “Disney is just Shakespeare!” you’d be like, “I know, Lion King, duh.”

But I’m not just talking about The Lion King here.

I’m talking about the entirety of Disney, I’m talking about what makes a Disney film a Disney film, you know the thing that whenever there’s a major cliche moment people are like “What is this, a Disney film?”

That, my friends, is the Shakespearean Formula that I’m talking about, and today we’re going to talk about The Tempest.

In the Tempest we have the magical lead Prospero (a banished for-all-intents-and-purposes ‘good guy’, and the father of the female lead Miranda). Prospero makes me think of Merlin from Sword in the Stone or Mushu from Mulan (idk maybe you have a better disney comparison that I just can’t think of) – he is the main character, but in the Disney movie version it would ‘technically’ be Miranda that was the main character. Regardless, Prospero is the magical lead that was banished, that has a score to settle, and that is driving the plot.

The female lead Miranda (a beautiful innocent young maiden who’s never even seen a man before, aside from her father and a gargoyle like creature). Reminds me of Aurora from Sleeping Beauty, Snow White, Belle, Cinderella and basically every Disney princess out there. She’s lovely, innocent and kind but also isolated away from everyone and everything until she meets Ferdinand.

The male lead Ferdinand (the handsome, kind, but not-too-deep-and-still-has-a-lot-to-learn prince). He reminds me of every classic Disney prince.

(We all agree that Prince Phillip is the best Disney prince, right? No need to even discuss!)

The villains and bewitched-by-the villains in Alonso (the king and father of Ferdinand and the bewitched one) Antonio (the evil brother of Prospero who’s just backstabbing people left and right) and Sebastian (the brother of Alonso who’s so ready to backstab). I mean – think of any Disney villain and boom these guys are it.

Then, we have the comical but diabolical but in-the-end-harmless characters in Caliban, Trinculo and Stephano (the gargoyle-like servant of the magical lead, and two drunks from the royal shipwreck). This trio provides much needed comic relief with a dash of danger – very similar to your eels from The Little Mermaid, or the hyenas from The Lion King, or Lucifer the cat and the evil stepsisters from Cinderella – all groups that were scary sure, but more funny then anything else and in the end none of their plans came to fruition.

And last, but not least, we have the literal fairy godmother character in Ariel (Prospero’s spirit helper that does Prospero’s bidding). He’s your Genie from Aladdin, your Fairy Godmother from Cinderella, your Grandmother Willow from Pocahontas, and so on and so on. Without him, the magic doesn’t get done, a lot of the comedy is lost, and the ‘hero’ of the story remains at the bottom.

It’s not just the characters though. It’s the structure too. It’s everything really, but I’m blanking on terms here.

To break it down, in The Tempest there’s a big event that happens (the storm), just like a lot of Disney movies, (Tarzan, Frozen, Pocahontas are just a few that start out with a big storm) and then after the wreck the Prince finds and falls in love with the Princess, the bad guys plot and scheme to get rid of their leaders and in the end the magical wizard saves the day and there’s a wedding.

The big scene that I noticed that made me go “Oh c’mon!” is there’s literally a ‘date scene’ for Miranda and Ferdinand where, after they’ve already gotten engaged after like 3 hours, they watch a musical performance put on by these magical creatures (just like Kiss the Girl, Can you feel the love tonight?, So this is Love, that one from Tangled with the lanterns on the water!) and they fall even more in love.

Anyway – I’m getting a little lost here – my point is, I think that that’s why Disney movies are so famous. Walt Disney copied the formula of one of the most famous playwrights of all time, William Shakespeare.

Wait a minute! Walt – William – is there a little similarity there? 😉 Oh, I think there is! (*cough* John Candy reference *cough*)

TTFN! (Ta Ta For Now!)

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